11/8/2023 0 Comments J river media center cosNow they don't act like shadow puppets cut out and separate from their surroundings. Nonetheless and in a very tangible way, it let's us see/hear the air surrounding the performers. Progressing to my ultimate Nordic piano trio-Tord Gustavsen with his latest The Other Side on the always excellent ECM label-the audible space surrounding the exploratory nearly hesitant first piano notes of "Duality" followed by probing drum beats established instantly. Here high bandwidth without phase shift in the treble helped to get the most from Meze's top end. The fractal shards of ambient effects blitzing around later remained crystal, with the low end absolutely massive beneath. Now the impact halos of the elephantine synth beats didn't obscure any clarity higher up. What the controlling element provided was proper damping. Think of how honey, mustard, olive oil and vinegar come together in a classic dressing. The slightly generous low end met superior grip to be brought in line without giving up any reach like on Smadj's growling "Variation sur un thème" from his album Spleen. This combination became a match like good culinary things which emulsify to perfection into a new entity. The SMPS-powered COS with balanced output opamps meanwhile sits on the leaner more silvery/platinum end of things. It's thus bottom up with a slightly fat bass, generous textures and a friendly never annoying treble. The Meze is shamelessly voiced for good fun, long-term comfort and going loud but never grating. Locally hosted files were dispatched by J.River Media Center. That received AES/EBU digits from a battery-power Audiobyte Hydra X+ USB bridge which isolates my HP Z230 work station's USB feed from the audio following it. To get signal into the Limetree, I ran it off my desktop COS Engineering H1 DAC. My favourite sub €300 headphones are Meze's black Neo Classic.
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